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Performances for autistic people | August 2025

A bearded actor in an open shirt smiles broadly while holding a cup, with another performer behind him extending their arms playfully in a joyful moment on stage.

The Tempest

"I don't have enough words to say how wonderful you are"

Audience Member

A woman wearing a dark coat and a headband looks emotional, while another performer in a yellow shirt reacts with shock, covering her mouth with her hands.
A performer in loose clothing is illuminated by red stage light while striking a metal bowl, creating a ritualistic and intense atmosphere.
 A close-up of a performer focused on playing a singing bowl, bathed in soft stage lighting that highlights their concentration.
A close-up of a performer leaning on their arm, looking distressed, while another blurred figure in the background points accusingly on stage.

Previous Performances

Martin Sorescu National Theatre Studio. Craiova International Shakespeare Festival, Romania, April 2023

Adapted and Directed by Kelly Hunter

Lighting Designer Craig West

Designer Alice Hallifax

Music Mercedes Maresca

Marin Sorescu Theatre National Craiova Romania (2023)

A shirtless actor sits on the ground with a surprised expression as another shirtless performer looms behind, hands raised in a dramatic, menacing gesture.
Kelly Hunter

"We performed this adaptation on April 23rd 2023 at the Craiova International Shakespeare Festival as part of their celebration of the 400th anniversary of Shakespeare’s first folio. We then performed it the week later in Sofia Bulgaria at the New Bulgarian University. I created this production with the Pericles company whilst we were touring our double Pericles shows around the UK and Europe in Spring 2023. During one of Pericles performances for Ukrainian refugee children in Sofia Bulgaria we were playing ‘The Storm Game’ - where Thaisa and Pericles lose each other. In response to the solemn mood of the game a young boy picked up a singing bowl and playing it in slow chimes, walking anti-clockwise around the outside of the circle as if he were a priest offering solemn last rites on the occasion of great sadness. It was one of the most instinctive and honest reactions to one of my games that I had ever witnessed and months later it inspired me when I was adapting The Tempest for the company. I used the boys ‘circle of sadness’ to express Antonio’s penance. For the duration if the show, Antonio walked in circles painfully slowly, just as the boy had done, around and around the perimeter of the space, playing with the same singing bowl. It felt as if he were on the edge of the island, on the edge of his nerves and at the edge of grief. I ?would never have come up with this if I hadn’t experienced the young boy’s inventiveness."

Founder & Director

Kelly Hunter

A diverse group of performers energetically engage in a live Flute Theatre performance, using expressive gestures and movement on a dimly lit stage. The actors wear casual, comfortable clothing in natural tones, creating an inclusive and accessible environment tailored for autistic individuals. This performance, inspired by Shakespeare and adapted using the Hunter Heartbeat Method, highlights Flute Theatre’s commitment to neurodiverse storytelling. Audience members can be seen watching with interest in the background. Flute Theatre also offers training and courses for actors, educators, applied theatre students, and families to support autism-friendly performance practices.

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